Re: [art] [arch-d] BCP 190, draft-nottingham-for-the-users, and a generalization
Guntur Wiseno Putra <gsenopu@gmail.com> Sun, 11 August 2019 18:01 UTC
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From: Guntur Wiseno Putra <gsenopu@gmail.com>
Date: Sun, 11 Aug 2019 17:30:57 +0700
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To: Adam Roach <adam@nostrum.com>
Cc: John C Klensin <john-ietf@jck.com>, "art@ietf.org" <art@ietf.org>, "architecture-discuss@ietf.org" <architecture-discuss@ietf.org>, tsoupi@uic.edu
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Subject: Re: [art] [arch-d] BCP 190, draft-nottingham-for-the-users, and a generalization
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Dear architecture-discuss, To share what I have found out: if such public installations inspire/is about exploring musicality of diferent architectural features --as it was attempted by "Building Music" of Electronic Visual Laboratory UIC: https://www.evl.uic.edu/entry.php?id=1985 *Note: There is a correction for Daria Tsoupikova e-mail address of my previous messages... Regard, Guntur Wiseno Putra Pada Minggu, 11 Agustus 2019, Guntur Wiseno Putra <gsenopu@gmail.com> menulis: > Dear architecture-discuss, > > Forgive me for typing errors in previous message... > > An alternative link to the posting on Marcos Novak's "Liquid Architecture > in Cyberspace" at public@informationarchitecture@w3.org I mentioned > earlier is > > https://lists.w3.org/Archives/Public/public-informationarchi > tecture/2019May/0000.html > > (which was "403 Forbidden: Request forbidden by administrative rules" the > last time I checked up minutes ago) > > Or, if going directly toward the text: > > https://www.evl.uic.edu/datsoupi/coding/readings/1991_Novak_Liquid.pdf > > Thank to Martin Dodge for suggesting Marcos Novak's architecture in > www.cybergeography.org bringing me to Daria Tsoupukiva's lecture > providing the reading... > > > > Regard, > Guntur Wiseno Putra > > Pada Minggu, 11 Agustus 2019, Guntur Wiseno Putra <gsenopu@gmail.com> > menulis: > >> Dear architecture-discuss, >> >> An alternative link to the posting on Marcos Nocak'S "Liquid Architecture >> in Cyberspace" at public@informationarchitecture@w3.org I mentioned >> earlier is >> >> https://lists.w3.org/Archives/Public/public-informationarchi >> tecture/2019May/0000.html >> >> (which was "403 Forbidden: Request forbidden by administrative rules" the >> last time I checked up minutes ago) >> >> Or, if going directly toward the text: >> >> https:///www.evl.uic.edu/datsoupi/coding/readings/Marcos_Novak_ >> Liquid.pdf >> >> Thank to Martin Dodge for suggesting Marcos Novak's architecture in >> www.cybergeography.org bringing me to Daria Tsoupukiva's lecture >> providing the reading... >> >> Regard, >> Gubtur Wiseno Putra >> >> Pada Minggu, 11 Agustus 2019, Guntur Wiseno Putra <gsenopu@gmail.com> >> menulis: >> >>> Dear architecture-discuss, >>> >>> Such co-presences of which architecture is part of: if we attempt to >>> think of its relation with other human experiences on poetry, on poetics, >>> on a spirit invoked to make comprehensible a poetic fact, to get toward an >>> understanding of cyberspace architecture, of "Liquid Architecture in >>> Cyberspace" (Marcos Novak, 1991) >>> >>> I suggested as a reading to public-informationarchitecture@w3.org at >>> which there is the web-address to the Novak's work (posted at 12 May 2019): >>> >>> http://www.w3.org/mid/CAKi_AEu%252BK6XUb94zR7-9fQDq0Hy9JP0Zy >>> T5em5Tg9gBMJh0Aiw@mail.gmail.com;list=public-informationarchitecture >>> Regard, >>> >>> Guntur Wiseno Putra >>> >>> Pada Rabu, 24 Juli 2019, Guntur Wiseno Putra <gsenopu@gmail.com> >>> menulis: >>> >>>> Dear architecture-discuss, >>>> & John, >>>> >>>> To share what might be inspiring... >>>> >>>> In order to propose what should be understood as "concept", "percept" & >>>> "affect", thus as "philosophy" & "art", Deleuze & Guattari ("What is >>>> Philosophy?") mentioned architecture as the first art as art begins with >>>> house: that of which "the most scientific architecture continually produces >>>> and unifies planes and sections... it could be defined as "frame" with a >>>> connection among various frames oriented differently, applied to other >>>> arts...(There is) a composite system consisting of points and >>>> counterpoints... (there is) a matter of sensations (percepts and affects) >>>> combined... (While) the system still needs a composition plane run >>>> "deframing" opening ways from house territory to city-cosmos, the system in >>>> which there are cosmic forces to create new affects...". >>>> >>>> There is "asthetic composition" as the working of sensation which is, >>>> so they said, the definition of art... >>>> >>>> Regard, >>>> Guntur Wiseno Putra >>>> >>>> Pada Selasa, 23 Juli 2019, Adam Roach <adam@nostrum.com> menulis: >>>> >>>>> John -- >>>>> >>>>> It's going to take a while for me to formulate my thoughts around what >>>>> you say below. To make sure I understand the class of constraints you're >>>>> concerned about below, can you clarify whether you think they apply to: >>>>> >>>>> - Documents like BCP 200, RFC 2804, and BCP 188? >>>>> - Documents like BCP 9 and BCP 92? >>>>> - Documents like BCP 25, BCP 54, and BCP 83? >>>>> >>>>> You might see an unstated agenda in the categories of documents I list >>>>> above, so I'll state it explicitly: in the general case, one person's >>>>> important protections against a tragedy of the commons is another person's >>>>> annoying impediment to be ignored and defeated. I get that not all of the >>>>> above read on protocol design; but they do share the common feature that >>>>> they've gone through the IETF consensus process (at least to the degree >>>>> that such a process existed at the time of their respective publications). >>>>> If we're going to carefully parse out the meanings of some of them as the >>>>> will of the community while treating others as light guidelines to be >>>>> ignored when they become cumbersome, we're going to need to agree on a >>>>> pretty bright line that divides those categories. >>>>> >>>>> /a >>>>> >>>>> On 7/23/19 08:37, John C Klensin wrote: >>>>> >>>>> (copying architecture-discuss because the comment I'm about to >>>>> make is an architectural issue and because >>>>> draft-nottingham-for-the-users is under discussion there.) >>>>> >>>>> >>>>> A late colleague, much loved by some of us, used to claim (much >>>>> more elegantly than I can manage) that one of the reasons the >>>>> ARPANET and then the Internet protocols had succeeded and much >>>>> of what was seen as competitive alternatives had not, was that >>>>> our efforts focused on pragmatic, working protocols and >>>>> implementations. >>>>> >>>>> The other folks had developed a culture of formalisms, models, >>>>> and stated design principles. They then tried to develop >>>>> protocols that fit into the boxes and categories of those >>>>> formalisms, models, and design principles. When they >>>>> discovered that something didn't fit, they needed to either >>>>> invent kludges or other ways of getting square pegs into round >>>>> holes, go back and revise models and guidance before moving >>>>> forward, or consider and make exceptions (which often required >>>>> first figuring out how to make an exception and developing >>>>> procedures for that). >>>>> >>>>> One difficulty is that the above can waste a lot of time. >>>>> Another is that it can distort protocol design, if only because >>>>> forcing square pegs into round holes tends to be hard on both >>>>> the pegs and the holes. >>>>> >>>>> In many or most fields of application, the nature of engineering >>>>> involves seeing and understanding a range of tradeoffs and then >>>>> doing design work that reflects a carefully-chosen balance among >>>>> them. Give design elegance absolute priority over structural >>>>> issues and buildings and bridges fall down. IMO, we need to >>>>> think, and keep thinking, about systems and tradeoffs. That, in >>>>> turn, means that statements like these that can be interpreted >>>>> in absolute terms, even if we mostly agree with them, should be >>>>> packaged as general guidelines and not BCPs to which everything >>>>> done in the future is required to either conform or to try to >>>>> figure out how to appeal to a higher authority. >>>>> >>>>> I'm not at all convinced that the proposal that was summarized >>>>> an ARTAREA yesterday and that is seen as requiring an exception >>>>> to BCP 190 is a good idea. But I think our time would be better >>>>> spent, and the Internet more efficiently made better, discussing >>>>> the strengths, weaknesses, and alternatives to that idea rather >>>>> than debating the reach and appropriateness of BCP 190 under >>>>> various circumstances. Long term and more generally, I think >>>>> that suggests seeing BCP 190 not as a particular set of >>>>> principles and rules but as an example of something we don't >>>>> want to do to ourselves again as a BCP (or as something that >>>>> gets enough of an IAB stamp of approval that people will later >>>>> argue MUST (or SHOULD) be conformed to. Again, restated as >>>>> general guidance with the assumption that there will be >>>>> exceptions and cases not considered, I don't have much of a >>>>> problem. If that shoe fits draft-nottingham-for-the-users, >>>>> so be it. >>>>> >>>>> john >>>>> >>>>> p.s. I don't mean to pick on Mark here. While these two >>>>> documents coming up at the same time was handy, I think the >>>>> problem is general and that there are far worse examples >>>>> (examples of which he is not an author) than either of them. >>>>> >>>>> _______________________________________________ >>>>> art mailing listart@ietf.orghttps://www.ietf.org/mailman/listinfo/art >>>>> >>>>> >>>>>
- [art] Against BCP 190 Rob Stradling
- Re: [art] Against BCP 190 Phillip Hallam-Baker
- Re: [art] Against BCP 190 S Moonesamy
- Re: [art] Against BCP 190 Adam Roach
- Re: [art] Against BCP 190 S Moonesamy
- Re: [art] Against BCP 190 Henry S. Thompson
- Re: [art] Against BCP 190 masinter
- Re: [art] Against BCP 190 Adam Roach
- Re: [art] Against BCP 190 Leif Johansson
- Re: [art] Against BCP 190 Rob Sayre
- Re: [art] Against BCP 190 Adam Roach
- Re: [art] Against BCP 190 Rob Sayre
- Re: [art] Against BCP 190 S Moonesamy
- [art] BCP 190, draft-nottingham-for-the-users, an… John C Klensin
- Re: [art] Against BCP 190 Melinda Shore
- Re: [art] Against BCP 190 Leif Johansson
- Re: [art] BCP 190, draft-nottingham-for-the-users… Adam Roach
- Re: [art] Against BCP 190 Melinda Shore
- Re: [art] Against BCP 190 Adam Roach
- Re: [art] Against BCP 190 Stephen Farrell
- Re: [art] Against BCP 190 Adam Roach
- Re: [art] Against BCP 190 Leif Johansson
- Re: [art] Against BCP 190 Leif Johansson
- Re: [art] Against BCP 190 Victor Vasiliev
- Re: [art] Against BCP 190 Adam Roach
- Re: [art] Against BCP 190 Leif Johansson
- Re: [art] Against BCP 190 Adam Roach
- Re: [art] Against BCP 190 Tony Finch
- Re: [art] [arch-d] BCP 190, draft-nottingham-for-… Guntur Wiseno Putra
- [art] [arch-d] BCP 190, draft-nottingham-for-the-… Guntur Wiseno Putra
- [art] [arch-d] BCP 190, draft-nottingham-for-the-… Guntur Wiseno Putra
- Re: [art] [arch-d] BCP 190, draft-nottingham-for-… Guntur Wiseno Putra
- Re: [art] [arch-d] BCP 190, draft-nottingham-for-… Guntur Wiseno Putra
- Re: [art] [arch-d] BCP 190, draft-nottingham-for-… Guntur Wiseno Putra
- Re: [art] [arch-d] BCP 190, draft-nottingham-for-… Guntur Wiseno Putra